Coin Italian Silver

VENICE Italy Doge Francesco Foscari RENAISSANCE Silver Italian Coin NGC i85426

VENICE Italy Doge Francesco Foscari RENAISSANCE Silver Italian Coin NGC i85426
VENICE Italy Doge Francesco Foscari RENAISSANCE Silver Italian Coin NGC i85426
VENICE Italy Doge Francesco Foscari RENAISSANCE Silver Italian Coin NGC i85426
VENICE Italy Doge Francesco Foscari RENAISSANCE Silver Italian Coin NGC i85426
VENICE Italy Doge Francesco Foscari RENAISSANCE Silver Italian Coin NGC i85426

VENICE Italy Doge Francesco Foscari RENAISSANCE Silver Italian Coin NGC i85426
Item: i85426 Authentic Coin of. Francesco Foscari - Doge of Venice: 15 April 1423 - 22 October 1457 A. Silver Grosso 21mm (1.50 grams) Reference: Biaggi 2873 Certification: NGC.

AU 58 2104241-002 FRA FOSCARI SM VENETI /D/V/X, St. Mark standing facing, presenting staff with banner to Doge standing to left. +TIBI LAVS 3 GLORI, Christ Pantokrator seated facing on throne. In Christian iconography, Christ Pantocrator refers to a specific depiction of Christ.

Pantocrator or Pantokrator (Greek:) is, used in this context, a translation of one of many names of God in Judaism. When the Hebrew Bible was translated into Greek as the Septuagint, Pantokrator was used both for YHWH Sabaoth "Lord of Hosts" and for El Shaddai God Almighty. In the New Testament, Pantokrator is used once by Paul (2 Cor 6:18). Aside from that one occurrence, John of Patmos is the only New Testament author to use the word Pantokrator. The author of the Book of Revelation uses the word nine times, and while the references to God and Christ in Revelation are at times interchangeable, Pantokrator appears to be reserved for God except, perhaps, in 1:8.

The most common translation of Pantocrator is "Almighty" or All-powerful. In this understanding, Pantokrator is a compound word formed from the Greek words , pas (GEN pantos), i. This is often understood in terms of potential power; i.

Ability to do anything, omnipotence. Another, more literal translation is "Ruler of All" or, less literally, "Sustainer of the World".

In this understanding, Pantokrator is a compound word formed from the Greek for "all" and the verb meaning "To accomplish something" or "to sustain something" (, kratein). This translation speaks more to God's actual power; i. God does everything (as opposed to God can do everything). The Pantokrator, largely an Eastern Orthodox or Eastern Catholic theological conception, is less common by that name in Western (Roman) Catholicism and largely unknown to most Protestants.

In the West the equivalent image in art is known as Christ in Majesty, which developed a rather different iconography. Christ Pantocrator has come to suggest Christ as a mild but stern, all-powerful judge of humanity. The icon of Christ Pantokrator is one of the most widely used religious images of Orthodox Christianity. Generally speaking, in Medieval eastern roman church art and architecture, an iconic mosaic or fresco of Christ Pantokrator occupies the space in the central dome of the church, in the half-dome of the apse or on the nave vault. Some scholars (Latourette 1975: 572) consider the Pantocrator a Christian adaptation of images of Zeus, such as the great statue of Zeus enthroned at Olympia. The development of the earliest stages of the icon from Roman Imperial imagery is easier to trace. The image of Christ Pantocrator was one of the first images of Christ developed in the Early Christian Church and remains a central icon of the Eastern Orthodox Church. In the half-length image, Christ holds the New Testament in his left hand and makes the gesture of teaching or of blessing with his right. The typical Western Christ in Majesty is a full-length icon that in the early Middle Ages usually showed Christ in a mandorla or other geometric frame, surrounded by the Four Evangelists or their symbols. The oldest known surviving example of the icon of Christ Pantocrator was painted in encaustic on panel in the sixth or seventh century, and survived the period of destruction of images during the Iconoclastic disputes that twice racked the Eastern church, 726 to 787 and 814 to 842, by being preserved in the remote desert of the Sinai, in Saint Catherine's Monastery. The gessoed panel, finely painted using a wax medium on a wooden panel, had been coarsely overpainted around the face and hands at some time around the thirteenth century. It was only when the overpainting was cleaned in 1962 that the ancient image was revealed to be a very high quality icon, probably produced in Constantinople.

The icon, traditionally half-length when in a semi-dome, which became adopted for panel icons also, depicts Christ fully frontal with a somewhat melancholy and stern aspect, with the right hand raised in blessing or, in the early encaustic panel at Saint Catherine's Monastery, the conventional rhetorical gesture that represents teaching. The left hand holds a closed book with a richly decorated cover featuring the Cross, representing the Gospels. An icon where Christ has an open book is called "Christ the Teacher", a variant of the Pantocrator.

Christ is bearded, his brown hair centrally parted, and his head is surrounded by a halo. The icon is usually shown against a gold background comparable to the gilded grounds of mosaic depictions of the Christian emperors. Often, the name of Christ is written on each side of the halo, as IC and XC. Christ's fingers are depicted in a pose that represents the letters IC, X and C, thereby making the Christogram ICXC (for "Jesus Christ"). The IC is composed of the Greek characters iota and lunate sigma (C; instead of ,)-the first and last letters of'Jesus' in Greek ; in XC the letters are chi and again the lunate sigma-the first and last letters of'Christ' in Greek.

In many cases, Christ has a cruciform halo inscribed with the letters , i. Francesco Foscari (19 June 1373 - 1 November 1457) was the 65th Doge of the Republic of Venice from 1423 to 1457. His reign, the longest of all Doges in Venetian history, lasted 34 years, 6 months and 8 days, and coincided with the inception of the Italian Renaissance. Francesco Foscari was born in 1373, as the oldest son of Nicolò Foscari and his wife Cateruzia Michiel.

The Foscari family had been of only moderate importance, but had managed to become one of the few noble families that secured a hereditary place in the Great Council of Venice after the so-called Serrata ("Closing") of the Great Council, and had begun to rise in prominence throughout the 14th century. Francesco's ancestors began holding high public office, and his father Nicolò even became a member of the powerful Council of Ten. Francesco served the Republic of Venice in numerous official capacities-as ambassador, president of the Council of Forty, member of the Council of Ten, inquisitor, Procurator of St Mark's, avogador de comùn - before he was elected in 1423 defeating the other candidate, Pietro Loredan. His task as doge was to lead Venice in a long and protracted series of wars against Milan, governed by the Visconti, who were attempting to dominate all of northern Italy.

Despite the justification of Venetian embroilment in the terraferma that was offered in Foscari's funeral oration, delivered by the humanist senator and historian Bernardo Giustiniani, and some victories, the war was extremely costly to Venice, whose real source of wealth and power was at sea. Venice, which during Foscari's leadership abandoned her ally Florence, was eventually overcome by the forces of Milan under the leadership of Francesco Sforza.

Sforza soon made peace with Florence, however, leaving Venice alone. Foscari was married twice: first to Maria Priuli, and then in 1415 to Marina Nani. In 1445, his only surviving son, Jacopo, was tried by the Council of Ten on charges of bribery and corruption and exiled from the city. Two further trials, in 1450 and 1456 - during the latter he confessed to, without even the need of torture, of having pleaded for help the Ottoman Sultan Mehmed II and the aforementioned Duke of Milan, both Venice's enemies - led to Jacopo's imprisonment on Crete and his eventual death there soon after. However, his death a week later provoked such public outcry that he was given a state funeral.

Beside his profile portrait by Lazzaro Bastiani, Foscari commissioned a bas-relief bronze plaquette from Donatello, which survives in several examples. His figure kneeling in prayer to St Mark figured over the portal to the Doge's Palace until it was dismantled by order of the revolutionary government, 1797; the head was preserved and is conserved in the Museo dell'Opera di Palazzo Ducale. His monument by the sculptor Antonio Bregno in collaboration with his architect brother Paolo was erected in the church of Santa Maria dei Frari in Venice. Foscari's life was the subject of a play The Two Foscari by Lord Byron (1821) and an episode in Samuel Rogers' long poem Italy.

The Byron play served as the basis for the libretto written by Francesco Maria Piave for Giuseppe Verdi's opera I due Foscari , which premiered on 3 November 1844 in Rome. Mary Mitford, author of the popular literary sketches of the English countryside entitled Our Village , also wrote a successful play concerned with events in Foscari's life.

Mitford's play debuted at Covent Garden in 1826 with famed actor Charles Kemble in the lead. The Doge of Venice (Italian: Doge di Venezia Italian pronunciation: all derived from Latin dx , "military leader"), sometimes translated as Duke cf. Italian Duca , was the chief magistrate and leader of the Most Serene Republic of Venice for over a thousand years. Doges of Venice were elected for life by the city-state's aristocracy.

Commonly the man selected as Doge was the shrewdest elder in the city. The doge was not a duke in the modern sense, nor was a doge the equivalent of a hereditary duke. The "doge" was the senior-most elected official of Venice and Genoa; both cities were republics and elected doges. A doge was referred to variously by the titles "My Lord the Doge" (Monsignor el Doxe), "Most Serene Prince" (Serenissimo Principe), and "His Serenity" (Sua Serenità). Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and linked by bridges. These are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, and artwork.

The lagoon and a part of the city are listed as a World Heritage Site. In 2014, 264,579 people resided in Comune di Venezia , of whom around 55,000 live in the historic city of Venice (Centro storico). Together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), with a total population of 2.6 million. PATREVE is a statistical metropolitan area without any degree of autonomy.

The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historically the capital of the Republic of Venice. Venice has been known as the "La Dominante, " "Serenissima, " "Queen of the Adriatic, " "City of Water, " "City of Masks, " "City of Bridges, " "The Floating City, " and City of Canals. The Republic of Venice was a major financial and maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce (especially silk, grain, and spice) and art in the 13th century up to the end of the 17th century. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century. This made Venice a wealthy city throughout most of its history.

It is also known for its several important artistic movements, especially the Renaissance period. After the Napoleonic Wars and the Congress of Vienna, the Republic was annexed by the Austrian Empire, until it became part of the Kingdom of Italy in 1866, following a referendum held as a result of the Third Italian War of Independence. Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi.

Venice has been ranked the most beautiful city in the world as of 2016. The city is facing some major challenges however, including financial difficulties, erosion, subsidence and an excessive number of tourists in peak periods. World-renowned expert numismatist, enthusiast, author and dealer in authentic ancient Greek, ancient Roman, ancient Byzantine, world coins & more.

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The item "VENICE Italy Doge Francesco Foscari RENAISSANCE Silver Italian Coin NGC i85426" is in sale since Sunday, September 20, 2020. This item is in the category "Coins & Paper Money\Coins\ World\Europe\Italy, San Marino, Vatican\Italian States (up to 1861)".

The seller is "highrating_lowprice" and is located in Rego Park, New York. This item can be shipped worldwide.

  • Country/Region of Manufacture: Italy
  • Certification Number: 2104241-002
  • Certification: NGC
  • Grade: AU 58
  • Composition: Silver
  • Denomination: Grosso

VENICE Italy Doge Francesco Foscari RENAISSANCE Silver Italian Coin NGC i85426